UBK-1's three stages are independent of each other and placed in a fixed series. Its most obvious application is on a drums buss: A choice of five compressor models is on offer; each has its own particular response character a combination of attack, release, ratio and knee and a descriptive name Splat, Smooth, etc. Well, the UBK-1 works equally well as an insert on individual tracks - such as vocals or acoustic instruments - and as a buss processor on drum groups or an entire stereo mix.
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The announcement that Kush had been working on a plug-in albeit not a software version of the UBK Fatsothen, was big news. The first processor is Saturation. Gregory Scott, the man behind Kush, describes the UBK-1 as a "motion-generating character compressor," and to understand what he means, you really have to get under the skin of this intriguing virtual qudio.
It's not modelled on any particular tape or transformer character, and, with just one control knob, is designed to be tuned by ear alone. Over the whole mix, you can think of the UBK-1 in visual terms as a filter - a sepia tone, for example - that brings character and colour. By subtly altering the compression settings, you can take abroad level of control over the way the drums drive or groove. Now we know the theory, what happens in practice?
After that, using it is much like playing a musical instrument as you work to shape the sound. There's also a welcome high-pass filter on the sidechain, to reduce the effect of low frequencies on the compression - great for drum busses.
Its most obvious application is on a drums buss: Well, the UBK-1 works equally well as an insert on individual tracks - such as vocals or acoustic instruments - and as a buss processor on drum groups or an entire stereo mix. A few hidden controls wouldn't do any harm - we're thinking of those on PSP's VintageWarmer, where you can 'go round the back' for more precise response time control. Our Verdict Sonically stunning, UBK-1 excels at bringing authentic, flavoursome analogue character to drums, acoustic instruments and mixes.
It's a fabulous boutique 'betteriser' box that's found its way into the studios of numerous high-calibre producers. The UBK-1 is a three-stage processor comprising separate sections for Saturation, Compression and the more nebulous Density, with each designed to push the incoming audio into an analogue frame. This processor adds definite but very subtle substance to the top or mid-range of the sound.
Kush Audio's UBK-1 generated quite a buzz among those in the know prior to its recent launch. The spread of toms and kick drum can be amazing, and the detail of the room and control over its level is a joy to behold.
The Density parameter, though subtle, is like the difference between good and bad gravy. Once you've got the rest of the controls set, you can overdrive it into madness, if you want. A vitally important thing to understand about the UBK-1 is that there are no right and wrong settings: Finally, the mix of compressed and uncompressed signal which, remember, is processed from the previous mix of saturated and unsaturated audio moves on to the Density stage. Green and red virtual LEDs represent whether you have ample or no headroom respectively.
You might not get the bite or toughness needed for a heavy rock mix; though for a softer, more open acoustic or jazz mix, it's ideal.
Adding density to the kit bus especially at the top end adds a level of substance that helps the readability within a mix. Sonically stunning, UBK-1 excels at bringing authentic, flavoursome analogue character to drums, acoustic instruments and mixes.
UBK-1's three stages are independent of each other and placed in a fixed series.
The amount of drive into all three stages is controlled by the Headroom knob. Essentially a combination of frequency-selective compression and saturation, the effect is heavily dependent on the results of the previous sections. For dance music, it's a mixed audil of results.
Kush Audio UBK-1 review | MusicRadar
This will provide a hint of madness behind the impact of the uncompressed drums. It takes a while to tune your ear into everything that UBK-1 can do, but gradually you get audi feel for its sonic characteristics. Avery subtle amount of the saturation changes the mood and feel by impression and gives your tune a more unified sound.
That said, what Kush has created buk-1 is a very musical analogue-modelling plug-in that perfectly suits more open styles of production, doing a superb job of bringing performance nuances and detailing to the fore.
Lower it for more drive ie, less headroom or raise it for more subtle results more headroom.